Exodus
Brain Dead
Pleasures of the Flesh
Transcribed by Mike Kimball, Jan 2002
[bloodmetalcontent@yahoo.com]
[geocities.com/bloodmetalcontent]
As with all guitar tablature, a mono-spaced font
(e.g. Courier or Monaco) is required to display properly...
Fig. 1
|------------------------------------------------------------------
|------------------------------------------------------------------
|------4------------------------------4----------------------------
|--2---2---3---2-----5-----0-2-2-0-2--2---3---2---------------0-1--
|--2-------1---0-2---3-----0-2-2-0-2------1---0-2-------------0-1--
|--0-0---0---0---0-0---0-0---------0-0--0-------0-0-0-0-0-0-0------
Fig. 2
|-----------------------------------
|-----------------------------------
|-----------------------------------
|--3---2-------3---2-------3---3-5--
|--1---0-2-----1---0-2-----1-0-1-3--
|--------0---0-------0---0----------
Fig. 3
|--------------------------------------------------------------------
|--------------------------------------------------------------------
|--------------------------------------------------------------------
|--------------------------7/9---------------------------------------
|--7---8-----5-----7---8---5/7-----7---8-----5-----2-----2-----2---2-
|--5---6-0-0-3p0-0-5---6-0-----0-0-5---6-0-0-3p0-0-0-0-0-0-0-0-0-0-0-
[ Tab from: https://www.guitartabs.cc/tabs/e/exodus/brain_dead_tab.html ]
Fig. 4
[1 & 3]
|-----------------------------------|-----------------------------------
|-----------------------------------|-----------------------------------
|-----------------------------------|-----------------------------------
|--3---2-------3---2-------3---3-5--|--7/9------------------------------
|--1---0-2-----1---0-2-----1-0-1-3--|--5/7---2-----2-----2---------2----
|--------0---0-------0---0----------|------0-0-0-0-0-0-0-0-0-0-0-0-0-0--
[2]
|-----------------------------------|-----------------------------------
|-----------------------------------|-----------------------------------
|-----------------------------------|--------4--------------------------
|--3---2-------3---2-------3---3-5--|--0-2---2--------------------------
|--1---0-2-----1---0-2-----1-0-1-3--|--0-2---------2-----2---------2----
|--------0---0-------0---0----------|------0---0-0-0-0-0-0-0-0-0-0-0-0--
[4]
|-----------------------------------|-----------------------------------
|-----------------------------------|-----------------------------------
|-----------------------------------|-----------------------------------
|--3---2-------3---2-------3---3-5--|--3-3-3-2-2-2-------------7---7----
|--1---0-2-----1---0-2-----1-0-1-3--|--1-1-1-0-0-0-6-6-6-5-5-5-5---5----
|--------0---0-------0---0----------|--------------4-4-4-3-3-3----------
Fig. 5 (solo backing)
[part 1 = fig. 1]
[part 2]
|------------------------------------------------------------------
|------------------------------------------------------------------
|------------------------------------------------------------------
|----------5---------2-----5-4-5-4-----2---5-----------------------
|--4---4---3---2-4---0-----3-2-3-2-4---0---3---2-4-------------2-3-
|--2-2-2-2---2-0-2-2---2-2---------2-2---2---2-0-2-2-2-2-2-2-2-0-1-
Fig. 6
|-------------------------------------------------------------
|-------------------------------------------------------------
|-------------------------------------------------------------
|--2-------------------------------------3-2---3---------0-2--
|--0------------------5------------------1-0---1-----5---0-2--
|---------------------3--------------------------0-0-3p0---0--
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