Job For A Cowboy - Entombment Of A Machine Chords & Tabs

 

Entombment Of A Machine Chords & Tabs

Job For A Cowboy Chords & Tabs

Version: 1 Type: Tab

Entombment Of A Machine Tab

   
Drop-C (CGCFAD)

To clear up any issues on their tuning:
On DOOM, Job For A Cowboy tuned to Drop-C.
To record Entities, and their entire new demo for that matter, they downtuned their 
to Drop A#, and now play all of their songs in that tuning, including at their live shows.

As usual,
. = palm muting
* = pinch harmonics
^ = bends

Intro Riff- This is pretty hard to make out, but if you listen really really close you 
hear it. It's all just trem picked. Both guitars play this, by the way.
|---------------------------|
|---------------------------|
|---------------------------|
|---------------------------|
|--------------------3-4----|
|1-1-4-4-1-1-3-3-0-0-----0-0|


(0:07)
Guitar One-
|----------------|
|----------------|
|----------------|
|----------------|
|--------------2*|
|0-4-3-4-4-3-4---|
 . . . . . . .

Guitar Two-
|----------------|
|----------------|
|----------------|
|----------------|
|--------------5*|
|4-7-6-7-7-6-7---|
 . . . . . . .


(0:14)
Both Guitars
|-----------|
|-----------|
|-----------|
|0---0-4-3-1|
|0---0-4-3-1|
|0---0-4-3-1|
 .   . . . .


(0:21)
Guitar One-
|---------------|
|---------------|
|---------------|
|---------------|
|---------------|
|4-1-3-0-4-1-3-0|
 . . . . . . . .
Guitar Two-
|---------------|
|---------------|
|---------------|
|---------------|
|---------------|
|7-4-6-3-7-4-6-3|
 . . . . . . . .


(0:23)
Both guitars, trem picked.
|----------------------|
|----------------------|
|----------------------|
|----------------------|
|---------------------0|
|444444-111111-333333-0|

That sick scream comes next.


(0:26)
Both guitars, trem pick each note as fast as you can.
|------------------------------------|
|------------------------------------|
|------------------------------------|
|------------------------------------|
|------------------------------------|
|44444444-11111111-33333333-00000000-|


(0:40)
Guitar One-
|----------|
|----------|
|----------|
|4--1--3--0|
|4--1--3--0|
|4--1--3--0|

Guitar Two goes back to this riff from earlier-
|-----------|
|-----------|
|-----------|
|0---0-4-3-1|
|0---0-4-3-1|
|0---0-4-3-1|
 .   . . . .


(0:45)
Guitar One-
|-------|
|-------|
|-------|
|-------|
|-----4*|
|000----|
 ...

Guitar Two-
|-------|
|-------|
|-------|
|-------|
|-----1*|
|000----|
 ...


(0:46)
Both Guitars
|-----------|
|-----------|
|-----------|
|0---0-4-3-1|
|0---0-4-3-1|
|0---0-4-3-1|
 .   . . . .

At 0:53, go back to the riff at 0:40.


(0:59)
Both Guitars-
|---------------------------|
|---------------------------|
|---------------------------|
|---------------------------|
|0-4-3-1----0-4-3-1--000-000|
|0-4-3-1----0-4-3-1--000-000|
 . . . .    . . . .  ... ...


(1:13)
Both Guitars-
Trem Pick every single note.
|---------------------------------|
|---------------------------------|
|---------------------------------|
|---------------------------------|
|------5-----------------4--------|
|5-7-8---8-7-5-7---4-6-7---7-6-4-6|


(1:22)
Let each note ring out.
Guitar One-
|------|
|------|
|------|
|-----0|
|-----0|
|1^---0|
      .

Guitar Two-
|------|
|------|
|------|
|-----0|
|-----0|
|5^---0|
      .


(1:35)
Guitar One-
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|------5------------5------------4------------4----|
|5-7-8---8-7--5-7-8---8-7--4-6-7---7-6--4-6-7---7-6|
 . . .   . .  . . .   . .  . . .   . .  . . .   . .

Guitar Two-
|------|
|------|
|------|
|-----0|
|-----0|
|5^---0|
      .

[ Tab from: https://www.guitartabs.cc/tabs/j/job_for_a_cowboy/entombment_of_a_machine_tab.html ]
(1:47)
Both Guitars-
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|------5------------5------------4----------4------|
|5-7-8---8-7--5-7-8---8-7--4-6-7-----4-6-7---------|
 . . .   . .  . . .   . .  . . .     . . .


(1:59)
Both Guitars-
|----------------------|
|----------------------|
|----------------------|
|----------------------|
|111111111111-0000-0000|
|111111111111-0000-0000|
 ............ .... ....


(2:05)
Guitar One-
|----------------------|
|----------------------|
|----------------------|
|----------------------|
|111111111111-0000-0000|
|111111111111-0000-0000|
 ............ .... ....

Guitar Two-
|--------------------------|
|--------------------------|
|--------------------------|
|--------------------------|
|---5------5--------4-----4|
|578-87-578-87---467---467-|
 ... .. ... ..   ...   ...


(2:11)
Guitar One-
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
|---------------------------------------------0|
|-----5------6---------------5------6---------0|
|00000--00000--5-8-4-7--00000--00000---5---1--0|

Guitar Two-
|------------------------------------------------|
|------------------------------------------------|
|------------------------------------------------|
|-----------------------------------------------0|
|-----8------9-----------------8------9---------0|
|00000--00000--8-11-7-10--00000--00000---5---1--0|


(2:32)
Guitar One-
|----------------------------|
|----------------------------|
|----------------------------|
|------------------------0000|
|5---4h5p4---1h4p1---1h4-0000|
|------------------------0000|
                         ....

The second time through, the second guitar plays this harmony:
|----------------------------|
|----------------------------|
|----------------------------|
|------------------------0000|
|8---7h8p7---4h7p4---4h7-0000|
|------------------------0000|
                         ....


(2:39)
Both Guitars-
|----------------------------|
|----------------------------|
|----------------------------|
|------------------------0000|
|------------------------0000|
|5---4h5p4---1h4p1---1h4-0000|
                         ....

The third and fourth time this riff is played, the second guitar plays this harmony:
|----------------------------|
|----------------------------|
|----------------------------|
|------------------------0000|
|------------------------0000|
|8---7h8p7---4h7p7---4h7-0000|
                         ....


(2:52)
Both Guitars-
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|0-0-1-000-4----0-1-0-4-4*----0-0-1-000-4----0-4-3-1-|
|0-0-1-000-4----0-1-0-4-------0-0-1-000-4----0-4-3-1-|
 . .   ...      . . . .       . .   ...      . . . .

At 3:02, the riff above slows down, but it's still the same notes and rythym.

At 3:08, play this twice instead of once.
|-------|
|-------|
|-------|
|-------|
|0-4-3-1|
|0-4-3-1|
 . . . .


(3:12)
Guitar One (for the rest of the song):
|------------------------------------------------|
|------------------------------------------------|
|------------------------------------------------|
|------------------------------------------------|
|5-4-------5-4-------8-7------------8-7----------|
|5-4-888---5-4-888---8-7-11-11-11---8-7-11-11-11-|
 . .       . .       . .            . .
Sometimes Guitar Two plays this in the background:
(All trem picked)
|--------------------------------------|
|--------------------------------------|
|--------------------------------------|
|4----------------------4--------------|
|------5-----2-----------------5------1|
|--------------------------------------|


After the big slowdown part thingy at (3:43), Guitar Two's part switches to this:
|--------------------------------------|
|--------------------------------------|
|--------------------------------------|
|--------------------------------------|
|5-4-444---5-4-444----8-7-777---8-7-777|
|5-4-------5-4--------8-7-------8-7----|
 . .       . .        . .       . .