Pagans Mind - Approaching Chords & Tabs

 

Approaching Chords & Tabs

Pagans Mind Chords & Tabs

Version: 1 Type: Tab

Approaching Tab

   
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

APPROACHING
As recorded by Pagan's Mind
(From the 2002 Album CELESTIAL ENTRANCE)

Transcribed by Ryan A. Silke (ryansilke@hotmail.com)
	

Words by (instrumental) Music by Pagan's Mind
Arranged by Pagan's Mind

Gtr I (B E A D G B E) - 'Distortion Guitar 1'
Gtr II (B E A D G B E) - 'Distortion Guitar 2'

 AtmosphericOrgan 0:410
  Q=93
 8/8
  Gtrs I, II
  W          W
|----------|------|
|----------|------|
|----------|------|
|----------|------|
|----------|------|
|----------|------|
|----------|------|


 Enter Band 1:25
  D5                                D5
 8/8
  Gtrs I, II
  PM------------------------|       PM------------------------|
  S S S S S S S S S S S S S S S S   S S S S S S S S S S S S S S S  S
|---------------------------------|-----------------------------------|
|---------------------------------|---------------------8---7---8-10--|
|-----7---5---7---8---7---5---5h7-|-----7---5---7---8---7---7---7--7--|
|-0-0---0---0---0---0---0---0-----|-0-0---0---0---0---0---0---0-------|
|---------------------------------|-----------------------------------|
|---------------------------------|-----------------------------------|
|---------------------------------|-----------------------------------|


  D5                               N.C.
  PM------------------------|
  S S S S S S S S S S S S S S E    S T T S S S S S S S T T S S S S E
|--------------------------------|-----------------------------------|
|--------------------------------|-----------------------------------|
|-----7---5---7---8---7---5---7\-|-7-6-6-6---6-----------------------|
|-0-0---0---0---0---0---0---0----|---------8---8-7-5-4-5-5-4---------|
|--------------------------------|---------------------------6-5-----|
|--------------------------------|-----------------------------------|
|--------------------------------|-----------------------------------|


  Q=97
  E5                                E5
  PM------------------------|       PM------------------------|
  S S S S S S S S S S S S S S S S   S S S S S S S S S S S S S S S S
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------7---6---7h9-|
|-----7---5---7---8---7---5---5h7-|-----7---5---7---8---------------|
|-0-0---0---0---0---0---0---0-----|-0-0---0---0---0---0---0---0-----|
|---------------------------------|---------------------------------|


  E5                                N.C.
  PM------------------------|
  S S S S S S S S S S S S S S S S   S S S S S S S S S S S S S S S S
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---9-----8-----7-----6-----------|
|-----7---5---7---8---7---5---5h7-|-7---7-6---6-5---5-4---4-3-2-1-0-|
|-0-0---0---0---0---0---0---0-----|---------------------------------|
|---------------------------------|---------------------------------|


  D5                                D5
  PM------------------------|       PM------------------------|
  S S S S S S S S S S S S S S S S   S S S S S S S S S S S S S S S  S
|---------------------------------|----------------------------------|
|---------------------------------|---------------------8---7---8h10-|
|-----7---5---7---8---7---5---5h7-|-----7---5---7---8----------------|
|-0-0---0---0---0---0---0---0-----|-0-0---0---0---0---0---0---0------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|


  D5                                N.C.
  PM------------------------|
  S S S S S S S S S S S S S S S S   S S S T T S S S S S S S S S S S S
|---------------------------------|------------------------------------|
|---------------------------------|------------------------------------|
|-----7---5---7---8---7---5---5h7-|------------------------------------|
|-0-0---0---0---0---0---0---0-----|-----4h5-5p4-----------4-5-7-5-8-7--|
|---------------------------------|-5-6---------6-5-3-5-6--------------|
|---------------------------------|------------------------------------|
|---------------------------------|------------------------------------|


  E5                                E5
  PM------------------------|       PM------------------------|
  S S S S S S S S S S S S S S S S   S S S S S S S S S S S S S S S S
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------7---6---7h9-|
|-----7---5---7---8---7---5---5h7-|-----7---5---7---8---------------|
|-0-0---0---0---0---0---0---0-----|-0-0---0---0---0---0---0---0-----|
|---------------------------------|---------------------------------|

[ Tab from: https://www.guitartabs.cc/tabs/p/pagans_mind/approaching_tab.html ]
  E5                                N.C.
  PM------------------------|
  S S S S S S S S S S S S S S S S   S S S S S S S S S S S S S S S S
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---9-----8-----7-----6-----------|
|-----7---5---7---8---7---5---5h7-|-7---7-6---6-5---5-4---4-3-2-1-0-|
|-0-0---0---0---0---0---0---0-----|---------------------------------|
|---------------------------------|---------------------------------|


 Part Two 2:05
  Q=85
  D  DsuD5         Gm/BbmBb/DD
  Gtr I
  E. E. E +H       E. E. E +H
|-2--3--5-(5)----|-3--5--6-(6)----|
|-3--3--3-(3)----|-3--3--3-(3)----|
|-2--2--2-(2)----|-3--3--3-(3)----|
|-0--0--0-(0)----|-0--0--0-(0)----|
|----------------|----------------|
|----------------|----------------|
|----------------|----------------|


  D  DsuD5         G5/D   F5
  E. E. E +H       H    S Q..
|-2--3--5-(5)----|-3----3S1-----|
|-3--3--3-(3)----|-3----3S1-----|
|-2--2--2-(2)----|--------------|
|-0--0--0-(0)----|--------------|
|----------------|--------------|
|----------------|--------------|
|----------------|--------------|


  D  DsuD5         Gm/BbmBb/DD
  E. E. E +H       E. E. E +H
|-2--3--5-(5)----|-3--5--6-(6)----|
|-3--3--3-(3)----|-3--3--3-(3)----|
|-2--2--2-(2)----|-3--3--3-(3)----|
|-0--0--0-(0)----|-0--0--0-(0)----|
|----------------|----------------|
|----------------|----------------|
|----------------|----------------|


  D  DsuD5         G5/D   F5
  E. E. E +H       H    S Q..
|-2--3--5-(5)----|-3----3S1-----|
|-3--3--3-(3)----|-3----3S1-----|
|-2--2--2-(2)----|--------------|
|-0--0--0-(0)----|--------------|
|----------------|--------------|
|----------------|--------------|
|----------------|--------------|


 2:27
  D     Dsus4 D5         Gm/D  Bbmaj7Bb/D  BbmGm/DD
  S S S S S S E +H       S S S S S S E +E. E. E
|-2-x-x-3-x-x-5-(5)----|-3-x-x-5-x-x-6-(6)-5--3-|
|-3-x-x-3-x-x-3-(3)----|-3-x-x-3-x-x-3-(3)-3--3-|
|-2-x-x-2-x-x-2-(2)----|-3-x-x-3-x-x-3-(3)-3--3-|
|-0-----0-----0-(0)----|-0-----0-----0-(0)-0--0-|
|----------------------|------------------------|
|----------------------|------------------------|
|----------------------|------------------------|


  D     Dsus4 D5         G5/D   F5
  S S S S S S E +H       H    S Q..
|-2-x-x-3-x-x-5-(5)----|-3----3S1-----|
|-3-x-x-3-x-x-3-(3)----|-3----3S1-----|
|-2-x-x-2-x-x-2-(2)----|--------------|
|-0-----0-----0-(0)----|--------------|
|----------------------|--------------|
|----------------------|--------------|
|----------------------|--------------|


  D     Dsus4 D5           Gm/D  Bbmaj7Bb/D   Bbmaj7Gm/D
  S S S S S S Q  E S E S   S S S S S S Q  +S  S S S E
|-2-x-x-3-x-x-5--5-5-5-x-|-3-x-x-5-x-x-6--(6)-5-x-x-3-|
|-3-x-x-3-x-x-3--3-3-3-x-|-3-x-x-3-x-x-3--(3)-3-x-x-3-|
|-2-x-x-2-x-x-2--2-2-2-x-|-3-x-x-3-x-x-3--(3)-3-x-x-3-|
|-0-----0-----0--0-0-0---|-0-----0-----0--(0)-0-----0-|
|------------------------|----------------------------|
|------------------------|----------------------------|
|------------------------|----------------------------|


  D     Dsus4 D5         G5/D Db
  S S S S S S E +H       H    H
|-2-x-x-3-x-x-5-(5)----|-3---------*|
|-3-x-x-3-x-x-3-(3)----|-3----2----*|
|-2-x-x-2-x-x-2-(2)----|------1----*|
|-0-----0-----0-(0)----|-----------*|
|----------------------|-----------*|
|----------------------|-----------*|
|----------------------|-----------*|



Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths