Dm7#5 is a difficult chord to play. I substitute the following two options:
1 0
1 3
0 and 3
0 3
1 3
1 0
For more:
http://www.gootar.com/folder/guitar.html m7#5 is around halfway down the menu.
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Intro: I play D (7th fret) and then G (open) on G string to open, before chords.
It's what she plays on piano.
Cmaj7 Fmaj7
Cmaj7 Fmaj7
Verses I and II:
Dm7 G7
Something always brings me back to you
Cmaj7 C Cmaj7 Fmaj7
It never takes too long
Dm7 G7
No matter what I say or do
Cmaj7 C Cmaj7 Fmaj7 Cmaj7 Fmaj7
I still feel you here til the moment I'm gone
Dm7 G7
You hold me without touch
Cmaj7 C Cmaj7 Fmaj7
You keep me without chains
Dm7 G7
I never wanted anything so much
Cmaj7 C Cmaj7 Fmaj7 Cmaj7 Fmaj7
Than to drown in your love and not feel your rain
Chorus:
Dm7 G7
Set me free, leave me be
Cmaj7 Em Am7
I don't want to fall another moment into your gravity
Dm7 G7
Here I am, and I stand
Cmaj7 Em Am7
So tall, just like I'm supposed to be
Dm7 Dm7#5
But you're onto me, and all over me
Verse III:
[ Tab from: https://www.guitartabs.cc/tabs/s/sara_bareilles/gravity_crd_ver_8.html ]
Dm7 G7
You loved me cause I'm fragile
Cmaj7 C Cmaj7 Fmaj7
And I thought I was strong
Dm7 G7
You touch me for a little while
Cmaj7 C Cmaj7 Fmaj7
And all my fragile strength is gone
(Chorus)
...Dm7#5
...and all over me...
Bridge:
F G Cmaj7 Fmaj7
I live here on my knees as I try to make you see
F G Cmaj7 Fmaj7
That you're everything I think I need here on the ground
F G Cmaj7 Fmaj7
But you're neither friend nor foe, though I can't seem to let you go
F G Em Am7
The one thing that I still know is that you're keeping me
(Dm7 G7)
Down....
Cmaj7 Am7
Whoo...
Dm7 G7
Keeping me down
Cmaj7 Am7
yeah yeah yeah yeah
Dm7 Dm7#5
you're onto me you're onto me and all over...
End:
Dm7 G7
Something always brings me back to you
Cmaj7 C Cmaj7 Fmaj7
It never takes too long
Cmaj7 Fmaj7
Cmaj7 Fmaj7
For an optional finish, to match how the chords go an octave up on piano, I do this:
12--12
12--10
12--10
10--10
x-- x
x-- x
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The bridge contains a progression of several chords simultaneously to add drama. I
picked the ones that worked best with the melody, the ones closest to what's on
piano, and ignored the string part as best I could.
