#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Tabbed by Brian McCall
C'MON - by the Smashing Pumpkins from the self released demo
===== vinyl and Sounds of Turnips
G1 and G2 distortion
|--------------------------------------------------
|--------------------------------------------------
|--------------------------------------------------
|--------------------------------------------------
|---------2--5----2-5--------2-5-------------------
|-12\--0-0------0------0--0-0----6~--5-3-5-3-------
|--------------------------------------------------
|--------------------------------------------------
|--------------------------------------------------
|-----------------------------0--------------------
|-------2--5----2-5-----0-1-2---1~~----------------
|-0--0-0------0------0--------------5-3-5-3--------
*1
|--------------------------------------------------
|--------------------------------------------------
|--------------------------------------------------
|--------------------------------------------------
|-------2--5----2-5--------2-5---------------------
|-0--0-0------0------0--0-0----6~--5-3-5-3---------
|--------------------------------------------------
|--------------------------------------------------
|--------------------------------------------------
|-----------------------------0--------------------
|-------2--5----2-5-----0-1-2---1~~----------------
|-0--0-0------0------0--------------5-3-5-3--------
*2
|--------------------------------------------------
|--------------------------------------------------
|-------X-2--X-4--------X-2--X-2-------------------
|-4--4--X-2--X-4--4--4--X-2--X-2-------------------
|-4--4--X-0--X-2--4--4--X-0--X-0-------------------
|-2--2------------2--2-----------------------------
^repeat once
Back to *1
The do *1 but palm muted.
Back to *1 again, then *2 again, then solo over *1.
Bass solo
*3
|--------------------------------------------------
|--------------------------------------------------
|--------------------------------------------------
|--------------------------------------------------
|---------5----7-5-7----------5----7-5-7----------5
|-5-6-7-7----0--------5-6-7-7----0--------5-6-7-7--
|--------------------------------------------------
|--------------------------------------------------
|-----------------------------------------9--9--9--
|-----------------------------------------9--9--9--
|---7-5-7----------5----7-5-7----------5--7--7--7--
|-0--------5-6-7-7----0--------5-6-7-7----0--0--0--
|--------------------------------------------------
|--------------------------------------------------
|-9--9--9--9--9--9--9--9--9--9--9--9--9------------
|-9--9--9--9--9--9--9--9--9--9--9--9--9------------
|-7--7--7--7--7--7--7--7--7--7--7--7--7------------
|-0--0--0--0--0--0--0--0--0--0--0--0--0------------
|-----------------------------------------------------------
|-----------------------------------------------------------
|-----------------------------------------------------------
|-----------------------------------------------------------
|---7-5-7----------5----7-5-7----------5----7-5-7----------5
|-0--------5-6-7-7----0--------5-6-7-7----0--------5-6-7-7--
G1
|---------------------------------------------------------
|-------------------------7fb---------------7fb-----------
|---------------------9-9---------------9-9---------------
|---------------------9-9---------------9-9---------------
|---7-5-7----------5--7-7------------5--7-7--------------5
|-0--------5-6-7-7----0-0----5-6-7-7----0-0-----5-6-7-7---...
G2
|---------------------------------------------------------
|-------------------------7fb-(hold)--------7fb--r--------
|---------------------9-9---------------9-9---------------
|---------------------9-9---------------9-9---------------
|---7-5-7----------5--7-7---------------7-7---------------
|-0--------5-6-7-7----0-0---------------0-0---------------...
[ Tab from: https://www.guitartabs.cc/tabs/s/smashing_pumpkins/cmon_tab.html ]
|-----------------------------------------------------------
|-----------------------------------------------------------
|-----------------------------------------------------------
|-----------------------------------------------------------
|-7-5--------------------7--7-5--------------------7--------
|-----7-6-5-3--3--5--6-6--------7-6-5-3--3--5--6-6--...-----
C'MON
FROM SOUNDS OF TURNIPS
Transcribed by Adam Morris
This has got to be the most UNpumpkinesque
song I have heard by SP, but it is a GREAT
song. Very STPish I reckon.
Standard Tuning
INTRO is is a relatively slow slide down from
the 12th fret on the low E-string
Main Riff (Played with strong palm muting later)
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|--------------------------------*----------------------|
|-0--0-0--7--10~~--0-7-10~--0--0-0-7h10-6~~-0-0-0-5\3--|
Replace this 0 with a 6 each 2nd time played.
CHORUS
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|-4--4--4/7-7/9-9-9-\-4--4--7--7--7-7----------------|
|-4--4--4/7-7/9-9-9-\-4--4--7--7--7-7----------------|
|-2--2--2/5-5/7-7-7-\-2--2--5--5--5-5--0-------------|
I can't remember which of these parts comes next in
the song, but they are here any way :)
There is a solo in here somewhere that I don't know
sorry...Randy??
Anyway..the part out of the solo is this:
(very similar to the end part of Drown I
might add!
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|--7~~~~~~----\2~~~~---/5~~~-----\2~~~~--------------|
|----------------------------------------------------|
Then this is repeated a fair few times.
|----------------------------------------------------|
|----------------------------------------------------|
|--9\7/9-9-------------------------------------------|
|--9\7/9-9---7-8-9-10/12-----------------------------|
|--7\5/7-7---7-8-9-10/12-----------------------------|
|----------0-5-6-7--8/10--0--------------------------|
Then the part that sounds like it is dying.
|----------------------------------------------------|
|----------------------------------------------------|
|--9-x-9-x-9-x-9-x-9-x-9-x-9-x-9-x-9-x-9-x-9---------|
|--9-x-9-x-9-x-9-x-9-x-9-x-9-x-9-x-9-x-9-x-9---------|
|--7-x-7-x-7-x-7-x-7-x-7-x-7-x-7-x-7-x-7-x-7---------|
|--7-x-7-x-7-x-7-x-7-x-7-x-7-x-7-x-7-x-7-x-7---------|
Then back to the fast sort of bit above.
Then goes to this bit a couple of times.
|----------------------------------------------------|
|--------7b-(hold) r----------7b-r-------------------|
|--9--9-----------------9--9---------7-/-9~~~~~------|
|--9--9-----------------9--9-------------------------|
|--7--7-----------------7--7-------------------------|
|----------------------------------------------------|
This leads into the really SNAZZY bit.
With lots of palm muting.
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|---7p5-----------------------6----------------------|
|--------7p6p5\3-3--0-3-5-6-7------------------------|
Then the above riff changes to this slower riff.
|---------------------------------------------------|
|---------------------------------------------------|
|---------------------------------------------------|
|--------------7-9----------------------------------|
|--5--/7--/8-9-5-7----------------------------------|
|--3--/5--/6-7--------------------------------------|
Apart from the solo and some other lead parts that is
the whole song.
Corrections can most likely be made.
E-mail me comments - Thanks
Adam
benmo@deakin.edu.au
